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FESTIVALS 2006 The Influencers 2005 The Influencers 2004 The Influencers 2002 Digital is not Analog.02 2001 Digital is not Analog.01 2000 Digital is not Analog.00 OTHER EVENTS · Transversal Art [ talk ] Palma de Mallorca, Spain (2006) · The battle of cool [ talk ] Rimini, Italy (2006) · Mission Boomerang [ workshop ] Badajoz, Spain (2006) · The War of the Worlds [ artist presentations ] New York City, USA (2005) · Remix culture! [ talk & workshop ] Fuerteventura, Spain (2004) · Art in the age of hackers [ talk & seminar ] Graz, Austria (2003) · Digital is not Analog [ artist presentations ] Barcelona, Spain (2002) · Cultural interfaces and identity games in the age of the Internet [ artist presentations ] Milan, Italy (2002) · Hacker Techniques Art in the age of hacking [ talk & seminar ] Barcelona, Spain (2001) · Hacktivismo [ artist presentations ] Bologna, Italy (2001) |
Hacktivism Practices of independent actions
and communication in the Internet. Bologna, Salara (via don Minzoni 18)
The exhibition/display styles used so far by the world of the arts result to be totally unadequate to represent net-based projects: the Salara MediaLab will try to present to the public new forms of artistic interventions, bringing the Italyn audience up to date on experimentation with digital media (which is already a purpose of big foreign institutions such as Ars Electronica Festival in Linz, Austria or the Whitney Museum of American Art in New York, just to name a few).
The convergence of hacking and activism allows to join
the forces of those who critically use the digital communication media
and those who reflects on some hot spots of contemporary societies, such
as the free flow of information and the need for an unrestricted redistribution
of knowledge.
Ricardo Dominguez is one of the founders of the Electronic
Disturbance Theater (EDT), the collective that since 1998 spread the
practice of the Virtual Sit-In as an activist tool. The SWARM project
was presented at 1998 edition of the Ars Electronica Festival (Linz, Austria),
whose theme was InfoWar. Senior editor of The Thing New York, from 1987
to 1994 Ricardo Dominguez has been part of the Critical Art Ensemble,
the US based group which first developed the influential practice/idea
of Electronic Civil Disobedience. Ricardo frequently collaborates with
other internationally known artists or groups, like Fakeshop (at the 2001
Whitney Biennal of American Art), Francesca da Rimini (they procuced jointly
Dollspace - www.thing.net/~dollyoko) and Diane Ludin (project Aphanisis).
His articles, essays and interviews have been extensively published on
the net.
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Presentations by:
Supported by: Salara Medialab - Bologna City Council |
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